Cha cha is the newcomer of the Latin American Dances. This dance
was first seen in the dance-halls of America, in the early fifties, following
closely Mambo, from which it was developed. The music is slower than Mambo.
Chonque was the grandfather of Rumba and Cha cha with African
rhythms and Spanish guitar, but Enrique Joren came up with the first
full-fledged Cha cha in 1951. He wanted it to be a medium rhythm, very
recognizable and not too frenetic. His creation came from the idea that there
should be a music created specifically for dance and participation, not only
for listening, or for a select elite.
The name Cha cha is an imitation of the "rhythm"
from dancing Cuban side steps. From the less inhibited night clubs and dance
halls the Mambo underwent subtle changes. It was triple Mambo, and then
peculiar scraping and shuffling sounds during the "tripling" produced
the imitative sound of Cha cha. This then became a dance in itself. Mambo or
triple Mambo or cha cha as it is now called, is but an advanced stage in
interpretive social dancing born of the fusion of progressive American and
Latin music.
After the World War II the Mambo was pushed aside by the Cha
cha which became popular around 1956. According to its roots the Cha cha should
be played passionately without any seriousness and with staccato allowing the
dancers to project an atmosphere of 'naughtiness" to the audience.

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